A taut, economical policier-cum-gang-hostage thriller.

After being released from prison, a mysterious man roams the city, the city where he still felt warmth 3 years ago, but can only feel hatred for now. He has only two wishes left: to bury his daughter and kill the people who destroyed his life. The paths of two strangers, hematologist Li Xiao Feng (Li Li Ren) and insurance agent Ji Fan (Marc Jia), cross when they both desperately need a big sum of money. Career woman Li Ruo Nan (Eva Zhu) has a rebellious daughter, Wang Yi Han (Zhao Yun Zhuo), who hates her mother. Finally, there is Liu Ge (Liu Nan), an elite of the financial world who can’t get rid of his gangster ways and only believes in money. The lives of all these people become intertwined in a kidnapping case that will significantly change them.

Doctor Who spoof by Mark Gatiss and David Walliams.

Just in time for the elections, Lewis Black returns to take on Donald Trump and Hillary Clinton.

Just in time for the elections, Lewis Black returns to take on Donald Trump and Hillary Clinton.

Paul and Jennifer Hemdale have just moved into their dream house. But their happy marriage is about to be put to the test as they slowly discover the secret behind the black room in the cellar. Something else is already living in their new home and it is growing stronger every day.

“In The Black Tower we enter the world of a man haunted by a tower which, he believes, is following him around London. While the character of the central protagonist is indicated only by a narrative voice-over which takes us from unease to breakdown to mysterious death, the images, meticulously controlled and articulated, deliver a series of colour coded puzzles, jokes and puns which pull the viewer into a mind-teasing engagement. Smith’s assurance and skill as a filmmaker undercuts the notion of the avant-garde as dry, unprofessional and dull and in The Black Tower we have an example of a film which plays with the emotions as well as the language of film.” 　　----Nik Houghton, Independent Media 1987

“In The Black Tower we enter the world of a man haunted by a tower which, he believes, is following him around London. While the character of the central protagonist is indicated only by a narrative voice-over which takes us from unease to breakdown to mysterious death, the images, meticulously controlled and articulated, deliver a series of colour coded puzzles, jokes and puns which pull the viewer into a mind-teasing engagement. Smith’s assurance and skill as a filmmaker undercuts the notion of the avant-garde as dry, unprofessional and dull and in The Black Tower we have an example of a film which plays with the emotions as well as the language of film.” 　　----Nik Houghton, Independent Media 1987

Finney Blake, a shy but clever 13-year-old boy, is abducted by a sadistic killer and trapped in a soundproof basement where screaming is of little use. When a disconnected phone on the wall begins to ring, Finney discovers that he can hear the voices of the killer’s previous victims. And they are dead set on making sure that what happened to them doesn’t happen to Finney.

In this adaptation of Edgar Allan Poe's classic tale, a prisoner recounts the macabre series of events that led him to his current circumstances.